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Sessions
1. Examples for Bondage Sessions
2. Edge Play
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From: Das Bondage-Handbuch, Matthias T. J. Grimme, Charon Verlag 1999
German
Performance on a party / German
Performance outdoor
1. Examples for Bondage Sessions
We
have known each other for some time, we talked about what we like and
what we don't like. I know that she likes being held and likes the pressure
of bondage and wants to experience that for a longer time once. She
would like to have sex while being tied up, too. For me it's not important
to use pressure, I prefer a bondage which shows the beauty of the body,
constricts it maybe in a new and exciting form. During sex I like to
be touched, but it's equally good to touch, to tease, to stimulate.
I love her being at my mercy, and at the mercy of my hands, my tongue,
my lips. I know she isn't very experienced as far as bondage goes. I
know what I am able to do, I am sure of my skills, and I know that complicated
bondage just isn't my thing.
As the active part you should have a picture in your head at first,
a phantasy, an image. You should know where to go during the session.
I don't mind experiments, but it's rather strenuous for the passive
part when I am standing there in front of her, willing to be tied up,
and don't know where to begin and what to use.
I am
thinking of a japanese whole body bondage, tying up the body like a
net, including arms and legs. I know that I need at least 20 m rope.
She is a tall woman, so it may be even more. For aesthetic reason I
own only black and white ropes. Because it's agreeable to the skin and
fits snugly around the body today I will use the white cotton rope without
core, which makes the rope more elastic. I wound up several pieces,
arranged according to their length, in a way that they can be unwinded
quickly with a single movement.
The heating is on; before that I aired the room and closed the curtains.
All candlesticks I own are gathered in my bedroom, the candles give
off a soft light. The large mirror is positioned so that she can watch
herself when I have tied her up while she is standing. And while I will
drink only coffee, I put sparkling wine in the fridge for her.
From the loudspeakers of my stereo comes our favourite music for quiet
games, less rhythmical, building up a mysterious carpet of sound. The
bed is made of course, the rope hoist is firmly on its place at the
hook I checked for stability before.
When I ask her into the bedroom, I see her eyes sparkling with excited
expectation. Her arousal stimulates my own desire. Slowly I begin to
take off her clothes. First the blouse and the bra, then the skirt and
the panties. She doesn't wear stockings, only a pair of light pumps
of a dark green, making a fascinating contrast to her dark red hair.
After a long kiss I step aside and look at her. Watch her rib cage rise
and fall, the bit of insecurity in her eyes. Her tongue slips over her
upper lip, the right hand twitches. I sense her expectation, decide
to wait a bit, to keep her on tenterhooks.
"Are you ready?" I ask her softly. She looks at me, seriously
at first, then she smiles and nods. We kiss. I put her arms together
on the back. Then I take the first rope, a piece of approximately 8
meters. First I tie up her hands crosswise, then I lead the rope forward,
above her breasts. Another loop of the rope which I took double below
her breasts. I check that her hands aren't tied too rigid.
Now
I take a rope of 12 meters and tie up her ankles. I take care not to
twist the rope and now put another loop around her calfs, the next a
bit below the knees, another above her knees and so on until I finally
arrive at her waist.
She is swaying slightly. Her eyes are closed. The rope presses against
her flesh, brings her breasts forward. She is standing directly under
the rope hoist. Where the ropes cross at her back I attach the snaplink
and tighten the pulley until I see that her upper part of the body is
stabilized. The ropes press into her rib cage. I ask her whether she
still can get enough air. She smiles dreamily and whispers "yes".
Now
I put another rope around her waist, tighten it and pull it through
between her legs. Because her legs are tied up already that's a bit
difficult; I should have done it before. I am careful, put a finger
between the soft skin of her crotch and the rope which I place symmetrically
between her vulva lips before I tighten it at her back. She moans and
swings only just perceptibly with her pelvis. I check her hands, which
are still warm to the touch. I give her something of the sparkling wine
to drink, touch her body which can't move anymore, tighten the rope
at a few places with putting two fingers below it. I play with the rope
in her crotch, let her sigh and moan. Despite the tightened ropes around
her rib cage she is inhaling deeply, begins to breathe faster.
I turn
around the mirror so that she can watch herself with a twist of her
head. She opens her eyes when I whisper into her ear that she should
have a look. Her look is wild and vulnerable all at once. I kiss her.
Sitting on the chair in a corner of the room I can enjoy watching her
even better. She is my piece of art.
Later, when I have freed her again, we lie on the bed, and with my fingers
I touch the imprints of the ropes. We talk about our feelings during
the bondage, the security, the feeling of being held by the ropes safely,
the being restricted, my pride and her beauty, the look in her eyes
and my concentration, the delight in my eyes, my power, our shared pleasure.
Or
We lie on the bed, I put her hands beside her head, spread her legs.
I ask her not to move, as if she was tied up in this position. She agrees
willingly. When I penetrate her her arms are twitching. A soft touch
reminds her of her promise ...
Or
We are sitting in the living room opposite each other, I on the couch,
she on a chair with armrests. "Take off your clothes," I say,
"and slowly; make it exciting!" She gets up, smiling, does
as I told her to.
Then I want her to sit down naked on the chair. I put her hands at her
neck, her legs I put up on the armrests. From the bedroom I fetch a
rope, and tie up her legs so that she can't move them anymore, van't
close them. Her hands I tie up behind her neck. Slowly I begin to tease
her, play with her breasts, her crotch, lick her, touch her, put my
finger in her mouth, her vagina ...
Or
We play the other way round. Sometimes she catches me when I come in the
door, puts the handcuffs on, ties me to the bed while sitting on me. Or
she makes a kind of harness out of some ropes, which I have to wear when
we go out in the evening. There are endless possibilities and variations.
Be it planned carefully, spontaneously, developing slowly - bondage can
give the most different erotical kicks as long as both partners are willing
and want to play.
Some people will be bothered because of the word play. They think of bondage
as something serious, something much too important for such a "flimsy"
word. But with play I don't mean acting as if; I don't mean to imply bondage
is not important. I just want to express the playful, creative dealing
with rope, handcuffs and straight jacket.
2. Drachenmann's (Ryu-Jin aka Tatsu Otoko) Edge Play
Dear friends, at the beginning some words about me. I am living in Hamburg,
the biggest harbour town in Germany, directly at the red light district
(kind of Kabuki-cho). I am 50 years old and working at germany's biggest
publishing house for SM-Magazines and Books Charon Verlag (I am one of
the owners). We are publishing every two month our magazine Schlagzeilen
(look at www.schlagzeilen.com). I have also written and published the
SM Handbook and the Bondage Handbook (sorry, only german at the moment,
the rights for Japan are not given away) with more than 70.000 copies
sold. It is a kind of standard thing in our country.
Starting with simple bondage 25 years ago, I stumbled on japanese bondage
about 8 years ago. I was so much interested, that I visited Tokyo several
times, to see and to learn more about Shibari. This year I am giving courses
about japanese bondage as well in Germany as in Tokyo. In last June we
have had two performance evenings in Tokyo with the wellknown Osada Steve.
Beside of my favor of japanese bondage I started the page www.japanbondage.de/www.bondageproject.com
3 years ago. For this page I am doing photographs and films. I am doing
performances as well (Spain, Danmark, different places in Germany). As
a kind of second job I have a small piercing and branding Studio (www.kiss-of-fire.de).
You see, I am a kind of busy with kinky things.
When I started playing the hard SM-Stuff like severe spanking and caning,
needle play, heavy weights, branding, vaginal and anal fisting and breath
control, I was very happy to have such a great wife, who is helping me
with good ideas and feed backs. Without these feed backs, I think I would
never had become a good master and sadist. The quality of a top, a sadist
becomes only highclass with two possibilities: The first one is to start
as a bottom, so you learn to know how it feels, how much you can take.
But the problem can be, that if you start playing as a top with other
persons, you could think, all peoples react equal and you are the messurment
for this. That is for sure not true. Maybe you remember that there are
days, you cant get enough and other days, you are very sensitive. So remind
that all peoples are different and there possibilties of taking things
can change from hour to hour and from day to day. So you come to the second
way: You need a person you can trust to, who give you a good feed back
for all these mean things you are trying to do. That means not a moan
or a cry, that means for example the information, that this cane did not
fit to that person. I know, in Japan is a tradition of doing a great show
during SM-Play (itai!), but you need more than that. But at the beginning
you need to know your instruments, learning how a whip is working, how
you have to handle it, that you meet the point you want to meet.
So the first thing you need is information how things are working and
than the second thing is, to have a partner who gives a clear and informative
feed back.
I know, that this could be a bigger problem in Japan, than in Germany,
because of the different SM-subcultures. In germany there are a kind of
kinky "infra-structure" with many support groups and SM-organisations,
parties, contact ads, resources in print and in the web etc. So it is
much easier to meet people who have the same kink. Most of the parties
have guards, so it is safe to play there for both sides. They are security
contacts for persons who wanted to have a date with an unknwon person
without the feeling of unsafeness.
But I know, they are also contact ads in this magazine and I think it
is a good possibility to meet a partner. They are also dating lines and
clubs, where you can look for people who fits to you.
OK, if you know how to handle the equipment and you have met a partner
who is interested in this, you should not start playing at the first date.
First you need to know your partner, how he will react and wether he gives
you a good feed back or not.
I have checked out, that you can do heavy play with persons you meet at
a party (like Department H) but mostly there will no second time.
The best way if you are into the really heavy stuff is to fall in love
with your partner. There might be a good one-time play, there could be
also a good friendship with play elements, but the most satisfieing way
of hard play is a partner you are in love to.
I have seen several erotic bondage performanes in Tokyo and the big difference
to the performances I am doing is: The japanese are playing two games,
every person their own one. We are playing together, using the permanent
contact, to push up each other, going more and harder ways. It looks more
friendly, more romantic, but my slaps are much harder, my tortures are
more mean than it looks like. As a performer I am not in the tradition
of wearing sun glasses (because it is dangerous doing things in public?)
and having a stone face. I am more into smiling, kissing, caressing AND
being really cruel. For exemple: When I settle the candles on the skin
of my "victim" after using them for waxing, the skin will burn
a little bit. But if I kiss these burns with love, it will be okay.
So, the idea of hard play is love. Without love it is just a kind of misuse
of the person.
There are some very hard european SM-Vidoes with bloody stripes from caning,
with nailed tits and pierced cunts, with needles trough the nipples, cigarettes
pressed onto the skin and other hard stuff. But you need to see the films,
so you can see wether it is abuse or a loving SM-Play. If the peoples
are laughing together, if they are in contact, talking to each other,
it could be a kind of disclaimer.
There are some videos from the eastern Europe at the market, which was
done with prostitutes or professional models. OK, they are hard, but for
me it is more interesting, to see the more private films with couples
who are in love.
Some month ago, I nailed the tits of a girlfriend of mine to a table.
Another girlfriend filmed these situation. It looks hard, but it is also
a warm feeling of friendship and tenderness you will find all the time.
And that is the thing, that counts!
Three situations:
If you are into heavy play with your lover, you need to listen to the
wishes and belongings of her, take care of her physic and psychic
needs and sanity. You are the one who is using the responsibiltity
her, which was given to you by her for this case.
No alcohol, no drugs, much time (also after the situation, because
you both will have to talk together, telling each other the feelings
during the situation, may be take care of the situation. Heavy play
is nothing for all day playing.
1. Needles
We talked about needles some time ago. She has had some bad
experiences with her ex-partner. During a party we talked once again.
And than I told her, that I have a medical needle with me. She asked
for testing. Ok, we will try. First I desinfect the skin. Than I put
on a pair of latex gloves. I opened the sterile needle package with
surgical needles for one time use and pull one out. I looked at her,
she told me once again, that she want to try. She trusted me, because
I know, what I am doing. I grab a small piece of skin directly above
her left nipple and put the needle trough the skin, that the sharp
end will come at the other side. Better doing it this way, than put
it into the flesh frontal. The sharp endge of the needle could cause
unseen bleedings under the flesh.
I looked in her eyes, she smiled and told me, that it is no problem,
she like it. I tipped against the flesh with the needle in it. She
moaned.
Some days later, she forget her big safty pin, she is using to fix
her scotish tartan skirt. I recogniced, that the end of the pin is
very sharp. Looks like good steel. When she visited me again, I put
the pin into her blouse. She looked at me. "Oh only the blouse"
she
provoced.
Ok, I tell her, the needle of the pin is sterile like a surgical
needle, but I use a desinfectant. Than I pull up her blouse and grab
for her tits. Playing with her nipples till they becomes hard. "OK,
you big mouthed woman, you will feel it", I told her. She lifted
her
head, looking proud and smiling to me. The safty pin is more than
twice as thick as a surgical needle. This will be something special.
After desinfecting I pressed the tip of the needle directly between
nipple and breast. I was surprised about the resistance of the skin.
I pressed more hard, she cries out loud. I looked at her, knowing
that she likes crying. It is ok, she told me. With much pressure the
needle will go into the skin, and than out of the skin at the other
side of the nipple. Human skin is more strong, as one may think.
I close the safty pin. We kissed each other. I press my body against
hers. So she could feel more of the stitch. Than I grab her between
the legs. She is definitly wet, really wet. She moans. So I start
fucking her, playing with light pull on the pin.
Later I put out the needle. A bit blood comes out of the canal of the
stitch. But we decided no woundpavement.
Cutting:
On her right shoulder there is a tattoo of an unicorn. But nothing on
her left shoulder. We talked about this and she told me, that she
would like to have a cutting there. But not idea, what the design
could be. I used several copies of a photograph of her back, to try
out many designs. It should fit to the tattoo, but should be
something special. Not too complicated, because I am not so much into
cutting. I have done it sometimes, but I am not a great professional.
So the design has to be kind of simple. After a while I found out,
that a kind of wing form that needs about 9 cuttings for the whole
design would look nice. We used a pen to make sketch on her back. Is
the high and the direction ok?
After we both was satisfied with the design, I desinfect the place of
the cutting. I would like to use one of my very sharp knives, but for
safty reasons, I use a onetime use scalpel. We need good ligh, a calm
atmosphare, some special more meditative music. It was in the early
evening. After kissing and caressing her face, I pull out the
scalpel. First I start with the most compilcated cut. It was a curved
one and it is very hard to do this in one movement. You have to cut
only one millimeter into the skin. The blood comes out immediatly. No
good idea to start with this one, because the blood runs over the
sketch. I put some sterile gaze out of the package and used it to rub
the blood away. Than I proceed with the next cuttings. Also I am used
to it more or less, it comes out, that the first cut was more deep
than the following ones.
When the design was cutted. We were very happy. I got a mirror to
show her, how it looks like and how the blood drips out, running down
the back. Because I have forgotten to use an old blanket to put it
under her, we had blood drops in the bed, where she was laying. But
this situation connects us much more, than the most other games we
are doing. And now, two month later, the "wing" scars looks
great and
she likes to feel them as much as I do.
Nails
You have seen it in some videos, it looks ugly and brutal. But in the
phantasy it is a big thing. We thought about this since some weeks, I
have some experieces with normal piercings. The nails, I am looking
for should be out of steel, no zinced or chromed ones. After I found
some, I use a metal file to sharpen the tips. Than I bring them to a
tattoo studio because I know they have sterilisation devices. I also
looked for a board of pure wood. If I would use a table for nailing,
the table would not be the problem, but what will be happening, if
she will become unconcious? If there is something not fixed, I would
let her down without problems. But nailed to a table or something
other stabile, it could be a big problem in this case.
Because this would be a very special situiation, we asked a friend to
film the scene.
One evening, we wanted to try this. I put a piece of red velvet and
lay it on the table. Than I undress her, taking time for this.
After she was sitting on a chair, her breasts on the board, which was
losely laying on the table, I checked for the nails, desinfectant,
sterile gauze, something non alcoholic to drink, a pair of pliers to
pull out the nails afterwards and last not least, the hammer. The
friend starts videoing and I asked her, wether she is ready for this
experience. If she wanted, she could step out of this with no
problem. But she told me, she wants to do it, but she has much
anxiety also. I started with right breast. After desinfection of the
skin and wearing latex gloves, I can start. Pressing the nail into
the soft flesh next to the nipple (if she would have nipple
piercings, I could use the holes and could do a good nailing fake,
but she has no piercings there), I got the hammer and let him fall
down on the head of the nail. She cries, but the nail was gone
through the flesh and into the wooden board. I kissed her. Than I
took the next tit, starting agin with the same procedure.
Again a cry. With one hand she graps to my hands, to hold herself.
Some sweet comes out of her skin. After drinking a little bit water,
she feels better.
I told her, to lift the board with her tits. She looks so beautiful
with her nailed tits. I love her for this.
Matthias T. J. Grimme aka Ryu-Jin (written for japanese SM-Magazin SM-Sniper)

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